Post-Modernism was an era beginning in the 1970s that allowed artists to find their passion and pursue it. The movement itself fi represented in many different mediums and is recognizable as the highlighted graphic design used today. One design ideology of this movement was that style was content. Adhering to this ideology, developed the supergraphic which is an extremely sized pictograph that integrates itself to the environment. Immediately recognizable by bold geometric shapes and colors supergraphics have become social media staples and focus points of many places. Tampa bays is home to many innovative and trendy dining options. As an up and coming city, it prides itself on the number of photo spots the city has to offer. Many of these places utilize supergraphics to get their image posted on social media to build buzz. For example, the recently renovated Channel side is now home to Sparkman’s Wharf. Here, renovated shipping containers with supergraphics affixed to the
Bauhaus changed the relationship between student and teacher forever as artists collaborated to create new visions for tomorrow’s everyday life. Teachers and students heavily advocated to incorporate technology into design. A strong advocate for this was Laszlo Moholy- Nagy. His belief in technology, specifically photography, would show the world things people could not see with their own eyes. Eventually photography meshed with graphic design to create powerful works utilizing camera angles, lighting, zoom in, and framing shots. Maholy-Nagy created The New Vision which was dedicated to look at the world through a camera lens. Eventually, photography became a viable alternative to paining. Everything Maholy-Nagy and all the other Bauhaus artists were working on was completely experimental. However, captured were images that shaped the wait people looked at the world and evoked motivation within society to test their limits with photos many thou